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* 2017

Scientifical Introduction

Announcing poster for the scientific introduction in the subject area of communication sciences by Dr. Bernhard Uske at the Folkwang University of the Arts, Essen.  The typical french fries dish is oval, 9 cm wide, 14 cm long and 3 cm high. It impresses with its low production and logistics costs. Due to its shape the dish provides good hold and it is usable both: you can hold it in the hand as well as lay it on the table. Thanks to the high rim no sausage pieces fall down and its fat-repellent material prevents the seepage of sauce.  Screenprinted with special colours Anthrazit and Gold.
by 德國 Thomas Kühnen

Seen.Smog, 不見不散

根據世界衛生組織的調查,亞洲有著全球空氣汙染最嚴重的城市,某些地區的空氣污染指數,在最惡劣時段,直接威脅市民日常生活及健康,一呼一吸亮起紅燈,國家對霧霾問題,不能再假裝視而不見了。設計師以X光片不對焦的模糊灰調,抽象的警告;什麼也看不見。三張海報分別是:難以辨認的人,戴口罩也逃不掉威脅;有看似熊貓的大頭,動物因空氣汙染觸發相關疾病的死亡數字在遞增;另一張約隱約現的古建築圓形穹頂,要告訴你,除了人類本身,霧霾也正急速摧毀人類文化的遺產。原以為透明的空氣,都因不散的霧霾而讓世界看見。
by 台灣 陳俊瑋

Looking for alternatives

The poster is a paradox that invites the viewer to make a reflection about how we could to take advantage of the energies that can be obtained from natural sources. The graphic proposal shows as the main character the sun: renewable energy that is obtained by taking advantage of the electromagnetic radiation that comes from this Star.
by 墨西哥 Naandeyé

With Mouth, With Peace.

In Chinese, there is a “mouth”(口) near the “peace” (和). Only with mouth can peace be realized.
by 中國大陸 黄锐

水殁 Flooding

被水淹沒的北極熊
by 台灣 賴岳興

Matchsticks Forest Poster Series (a) & (b)

Inspiration: Suspension bridges, high-rise buildings, huge resorts. Undergoing rapidly development in Jordan; nevertheless, we still deforesting the green, consuming matchsticks and abuse it! What a Parallel Equation! Revelation comes across in any sort. It comes as a heartache consideration for the unstopping desertification in my homeland. Concept: One tree makes a million matchsticks; one matchstick burns a million trees. Substances: Worthless left over matchstick was the main afflatus in this work. Every single entity of a matchstick stands out as a unique character, a piece of art. It resembles a shape of a living being (Tree). Process: A composition out of matchsticks was a complicated project. Working with such fragile and sensitive elements was a huge challenge. Thousands of matchsticks used to accomplish these visuals. A small blow, unintended move could destroy days of working.
by 美國 Wesam Mazhar Haddad

回忆▪殇 / Memory·Regret

--地球满足了我们的需求却满足不了我们的欲望,无止的索取却不懂得尊重.我也知道这还有很长的路要走,但是我真的希望他们可以平静的生活,不要让它们成为回忆。
by 中國大陸 隋浩然

OH WOW

OH WOW is a Meisterschüler Art Exhibition of the University of Arts in Bremen and exhibited in the Weserburg Museum of modern Art Bremen. 17 Artists are showing their works in this group exhibition
by 德國 Sven Lindhorst-Emme

A World Without Boundaries

Poster for the international competition Freedom of Movement. Barbed wire, symbol of repressive, unhuman boundaries, trespassed by desperate people risking their life for a better future.
by 加拿大 Nelu Wolfensohn

Pipes-off

This is a poster meant for kids. The idea is to create lovely and friendly characters being affected by the oil pipes and leaks. To have a magical enviroment invaded by dark tubes . Pipes-off is inspired by the english words Back-off.
by 薩爾瓦多 Male Cuellar

山水

Clearcutting can have major negative impacts, both for humans and local flora and fauna.The world's rain forests could completely vanish in a hundred years at the current rate of deforestation.
by 台灣 林俊銘

More

The poster is dedicated to the problem of consumption. Nowadays we can observe significant contrast between poverty and richness. In this context the word "more" has different meanings as expressed from opposite points of view. "More" is an expression of basic human needs (more food, more help, more medical support). From the other hand "more" is a synonym of insatiable richness and lavishness. "More" is a face of today`s world.
by 波蘭 Wojciech Janicki

Truth

Nowadays we are facing different social models and attitudes, virtual realities, far opposite opinions. The truth seems to be contrary like a mask.
by 波蘭 Wojciech Janicki

Where's the enemy?

Make Extremism History. Today’s extremists include the 62 people in the world who have as much money as half the world’s population, the industrialists influencing the environmental policies that threaten the future of the human race, the bankers creating an artificially inflated economy for the benefit of speculators and the detriment of everyone else, and the people who use religion as a reason to inspire hatred, violence or war.
by 葡萄牙 Luís Veiga

Environment

The main purpose of this work is of wrong social behaviors, and as a result damaging environment seriously. Unfortunately, incorrect removal of plastic wastes poses threat to the lives of creatures in most parts of the globe. I’ve tried to present this social defect to the addressees in a simple while attractive way.
by 伊朗 Farzad Saeedi

ART BOOKS

ART BOOKS , DRAW DOWN AT TORONTO ART BOOK FAIR
by 美國 Draw Down Books

Change for Peace

I think that the cost of building weapons must be used for peace. Why do all this cost war and kill humans? We can contribute to peace and prosperity by reducing the cost of weapons.
by 伊朗 Kazem Bokaei

chernobyl

chernobyl silent deate
by 伊朗 farshad isapuor

保护动物

象無牙,虎無皮,犀無角,系列海報以漢字為創意原型,漢字的產生無不取自自然之物,故稱象形文字,是人類文明得以傳播的重要工具。人類為滿足私欲,對自然的回報卻是破壞和屠殺!海報借字體表現殘忍的現狀,對自然的傷害也是對人類自身文明的傷害!
by 中國大陸 時澄

新山水系列

新山水系列海报以各类塑料袋作为创作素材来模拟青绿、潇湘和焦墨山水的形态,利用借喻手法来传达对劣质塑料袋环境污染的担忧。各色海报背景表面上是贴合各类山水的表现特征,实际上反映的是雾霾、污染水体等环境问题。
by 中國大陸 刘立伟

Water.The Source Of Life

这是一套关于水资源公益环保题材的视觉类试验作品,基于对水资源环境保护为出发点为公益环保相关组织活动而创作。水是无形流动的,呈现出不同形态,同时却孕育生命。利用水的特性,在玻璃上试验描绘出不同的海洋生物形态,并随着水滴由凝聚至散开生物形态也逐渐消失无形有如生命完结。 我们以摄像机来捕捉其变化的过程(每一个生物形态只能持续3~5秒的宝贵时间随后迅速消散)。 我们将生命形态记录捕捉之后制作成了视觉平面作品,仅希望能通过这样一种行为方式来呼吁人们加强环保意识,珍惜水资源。
by 中國大陸 朱碧伟

Symbiosis

生命似一片叶子,大自然记录着生命的轨迹 这里是我们赖以生存的家园,山川河流带给我们以无尽美好 时光易逝生命聚散有时,唯独自然永恒 顺着脉络探索生命的意义,犹如迁徙的候鸟奔向远方蓝天 那是自然与生命的回归,共生之美
by 中國大陸 朱碧伟

Who in the Cage

人们常常可怜笼中之鸟,却忽视了自己也是笼中之人。
by 中國大陸 胡彦

Prison education

knowledge is happy and open,so we should not put any pressure with children in the process of pursuit knowledge.
by 中國大陸 胡彦

Caring for the elderly

The elderly walks slowly just like tortoise and snails, and these had caused a lot of crises and difficulties in their lives. The problem of population aging is getting worse around the world. Therefore, this issue is worth our concern and discussion. Be more patient to the elderly around your life.
by 台灣 鄭怡君

Exclusion

許多人會因為老年人身心退化、行動緩慢的緣故,而拒絕老人在生活上的需求和幫助。我們應該對老年人付出更多的耐心和關懷。
by 台灣 鄭怡君

Art Of The Possible

A series of posters made for the 2017 Spring Sessions art education program open call. The theme was the 5 senses. Illustrations were made by yvonne buchheim. Spring Sessions is an experiential learning program and arts residency based in Amman. The program seeks to bring emerging and established cultural practitioners together to create and share their work and outlooks. The purpose of the sessions is to expand fields of knowledge, foster creative working skills, and encourage participants to question existing paradigms by experimenting outside of traditional modes. The 15-week program consists of a series of workshops and other activities encouraging participants to research and realize, collaboratively or individually, ideas related to the sessions.
by 約旦 Saeed Abu-Jaber

Mural Istanbul 2016

I designed this poster for Mural istanbul street art festival. Mural istanbul Turkey's first mural festival and every year there are various artists from around the world. I used the marker texture with the typography.
by 土耳其 ERMAN YILMAZ

The Death of Cities

I designed this poster for contest on urban aesthetics. I explain the disappearance of urban aesthetics through the deterioration of the forms of letters, I wanted to increase the effect of the message by creating contrast with the background
by 土耳其 ERMAN YILMAZ

Antilop

Poster for Jeff-talks. Antilop is a technology-driven creative design studio operating at the intersection of audio-visual performances, moving images and interactive installations.
by 土耳其 ERMAN YILMAZ

Köken İçersinde Notlar/Notes in Origin

I designed this poster for Fol Cinema Society. Fol Cinema Society is a Istanbul-based cinema society that values and shares the alternative ways to experience what film and video has to offer, through screenings, talks and events. Notes in Origin includes 10 different samples from experimental Canadian cinema.
by 土耳其 ERMAN YILMAZ

please pay attention to food safety

核电厂和排放的有害气体形成萝卜叶造型,揭示对食品环境的严重损害,食品安全不能得到保障,甚至像核武器那样危害我们的生命及生活
by 中國大陸 Mingliang Li

衛武營 WEIWUYIN 2016

衛武營國家藝術文化中心,由荷蘭「麥肯諾建築師事務所」 法蘭韾.侯班 (Francine Houben) 與台灣羅興華建築師共同設計監造,建築啟發於原生的老榕樹群,連續起伏的曲面屋頂猶如樹冠,其內收納著四大展演空間與半開放的榕樹廣場,流暢的空間伸展自由曲面滑入大地,成為環境地景起伏的一部份。 衛武營 WEIWUYIN 2016 PROGRAM GUIDE 形象海報,目的作為一個銜接介面,在主體建設完成與正式啟動前的階段性概念與展演訊息溝通。規劃以「衛武營」漢字為表現,創造一個合作計畫,邀請不同藝術、設計創作者以不同的感受與角度料理這一主題,直至衛武營國家藝術文化中心正式開幕。洋蔥是計畫的第一個創作單位,取建築體連續曲面表現「衛武營」漢字造型、交錯的雙色圓點是灑落樹蔭間的點點光影、鮮豔顏色的是高雄炙熱陽光印象與建築師對光線的闡述,期許這建築與後續藝術內容的影響如這色彩,生活化地植入一顆實驗、大膽、強烈而充滿生命力的藝術種子於觀者。
by 台灣 黃家賢

Wohnheimplatzt

Poster for a competition by the german student union. The topic was to design a poster about living conditions of students in Germany. The motive shows a high-rise building of student flats expanding more and more because of less available and affordable flats for students in bigger german cities. It won the 2nd prize of the poster competition.
by 德國 Jan Robert Obst

Stadtlücken Exhibition

This poster is part two of a series of three done for the first exhibition of the architecture collective "Stadtlücken" ("Stadtlücken" german for "city gaps") in Stuttgart (Germany). The collective is focused on regaining unused and forgotten places for alternative usage in a more and more overpopulated city to make public living more attractive again. Their architectural work tries to include opinions of Stuttgarts inhabitants and also participates on the awareness of how people want to live in their city.
by 德國 Doll Hahn Obst

please let me live

萬物皆平等,我們同是生存於地球上的家人,不應該傷害彼此,人類卻不斷剝奪生物的生存權,如果我們不停止這種行為,總有一天他們將會消失不見。
by 台灣 林芷萱

co2

pacman eating our air. poster against air pollutiuon. Carbon reduction
by 波蘭 max skorwider

Global Warming

Global Warming. A warning against the destruction of the animals.
by 波蘭 Ewa Włostowska

Life

空氣汙染 擷用比利時超現實主義畫家Rene Magritte作品為設計藍本,以諷刺對比的設計表現手法,發展中的國家因工業過度發展,人類不惜汙染自己唯一生存的地球,所產生之矛盾環境,遺害下一代達致無法收拾的地步。 尊重生命 擷用比利時超現實主義畫家Rene Magritte作品為設計藍本,以諷刺對比的設計表現手法,將人類濫殺大自然的動物,縫製奢華炫麗的皮革大衣之不當行為,反思和警惕對動物生命的尊重,所產生莫大的視覺震撼。
by 台灣 陳永基

Pick and Throw

本海報試圖傳達阻止食用魚翅和海洋生物污染的信息。 近年來,因漁業發達,卻也因過度捕撈,對海洋生態產生危害,魚類資源已逼近枯竭,生態鏈已近乎斷裂。 作品中手掌拓印隱喻著如污染繼續下去,未來將會傷害到我們。
by 台灣 王尹伶

Sick Words

Time to break up with sick words ...... and switch to healthy thinking. Under these slogans we have helped change attitudes towards people with mental illness, intellectual disability, and older age issues in the provisions of the nationwide social campaign.
by 波蘭 Jakub Haremza

Another HIROSHIMA

This work is a poster of independent production. In Hiroshima, there was a sad history of the rabbits who were made into experiment bases.
by 日本 TAKASHI YOSOMIYA

Meditation in undefined places

This poster was made as a front cover for a short essay about the architecture for meditation. My objective was to represent, in a single image, the spiritual value of the architectural space, similar to the effect a simple walk in the forest. Since the concept of “elevation” is primordial for meditation, the image is composed vertically, living a large space above the character, occupied only by the high tree trunks. The use of ink wash to paint the trees is a lengthy process, since I had to wait for each tree to dry before painting the next one. However, it gives an unique texture to the trunks and, if it wasn’t for the person walking on the bottom, the image would be almost abstract, similar to the inexplicable process of meditation.
by 比利時 Germain Canon

Out of Sight – Out of Mind

Poster made on the problem Electronic Waste – E-waste. A comment on how Millions of tonnes of old electronic goods illegally exported to developing countries, as people dump luxury items. The exponential technological development of recent decades is counterbalanced by the accumulation of electronic waste (e-waste), the world’s fastest growing type of waste. Technology has been at the service of the visionary man and society for many years -and although the gap between countries is wide, and the access to it does not even cover 42% of mankind yet- this has not prevented people from being surrounded by electronic devices in a daily basis, almost in a natural and unquestionable way. It even seems to be an extension of ourselves. But as everything has a beginning and an end, these also have a shelf life and then become one of the biggest problems as opposed to the principles upon there were created. We all contribute daily to the production of e-waste. More than 46 million metric tons per year are generated, averaging 6 kilograms per inhabitant of the planet. WEEE (Waste Electrical and Electronic Equipment) may contain harmful chemicals and heavy metals such as beryllium, chromium, cadmium, arsenic, selenium, antimony, mercury and lead, besides gold, silver and copper. Around 60% of e-waste, consists of large and small household appliances, from refrigerators and washing machines to toasters, vacuum cleaners, shaving machines, etc. and 7% is made up of cell phones, computers, printers and other information technology equipment. Electronic waste is full of toxic components that are exposed and react with air, sunshine or rain, emitting chemicals that pollute the air, water and soil. Sooner or later these substances enter our bodies and make us sick. Only 17 % of this waste is recycled in the world. The real challenge is to generate sustainable policies, which improve living conditions and environmental cleanliness through recycling. Recycling generates profits and the transformation of electronic scrap generates resources for manufacturing. According to the United Nations University, a change in consumer attitudes could also reduce the problem. Evaluating prices, questioning the lifetime or disposability of what we buy. We must create conscious markets, where a responsibility for electronic waste management lies with manufacturers is very present, creating a competitive market amongst similar products. Also as consumers, we must raise awareness and demand a recycling accountability. We must understand that the problem of e-waste should not only be attributed to producers, but also to an economy that encourages exaggerated consumption and planned obsolescence, for the greed of industries and self- indulgence of consumers. We are all involved in this.
by 丹麥 Rikke Hansen

Sohrab and the beginning of the wolf

combination of collage Scratch silk-screen printing
by 伊朗 mahmoud

Touch

A state in which the touch of a finger, I expressed by cutting the paper.
by 日本 Kenichi Sato

Giraffe

Giraffe is said to have evolved the neck for a long time to eat the leaves in a high position. And in the future, looking for clean air, the neck has become longer.
by 日本 Takuji Omori

The Shapes of Love

我以磁鐵的特性、顏色及組合,來傳達彼此之間的「吸引力」與「愛」不分好壞、有著許多的形式與狀態。除了創作「OPEN」及「LOVE」的字體外,磁鐵彼此之間也像在互動,我們可能是異性戀、同性戀又或是雙性戀,我們可能熱戀、冷戰又或者還在尋覓心儀的對象,也可能是愛著自己的單身貴族。這些都是愛的樣貌,沒有對錯之分。 無論我們的性別、個性、行為被定義為男或女,「愛」都是一樣的。不要試著去定義愛,打開成見,更自信地去愛你所愛!
by 台灣 陳品丞 Chen Ping Chen

alone

今日他的孤獨,亦將是未來你我的遭遇。我們無法阻止他變老,但我們可以給予他溫暖的陪伴。利用剪紙、翻摺的方式,呈現老人雖然是一個人,但他心裡希望有個人陪在身邊的畫面。
by 台灣 藍明潔

1失溫的擁抱 2何去何從 3塵思者

(1)資訊發展蓬勃的年代使訊息的傳遞更為便於與遠在他鄉的親友聯繫、互動拉近彼此距離,但這樣的資訊傳遞方式也造成人 們互動行為的的一大改變,習慣透過螢幕交談,使得人與人之間真實的接觸成為一大障礙,即使是情人擁抱也得騰出一隻 手查看訊息,高彩度的手機屏幕表現網路世界的活絡生氣,對比相擁的人因「心」不在此而顯得生冷、敷衍,表現現代人 的人際關係上本末倒置與捨近求遠的矛盾行為。 (2)大眾搭著持續往下的手扶梯,表現資訊化時代下社會的與盲從氛圍 ,統一畫中人物的造型來象徵人們失去個性與獨立思考的能力,有的遇到問題一切仰賴網路資訊,無法及時應變。有的則是失去警覺性,跳脫不出現實與虛擬,在資訊化的洪流中隨波逐流。 (3)以藝術家羅丹作品「沉思者」的意象作為構圖,原先沉思者這件雕像表達但丁對地獄中的種種罪惡與的人世間的悲劇進行思考,對人類表示同情及愛惜時,內心中卻隱藏著苦悶與強烈的思想矛盾。以眉頭深鎖與肢體上緊張的肌肉線條,表現人物內心中極度壓抑和隱藏的痛苦。 創作上將原先緊繃的肌肉線條改為較為柔順,表情也從嚴肅變成毫不在乎散漫愚鈍,並被挖空了腦袋,象徵著安逸現狀的時下青年,被動的接收垃圾訊息,卻也無能思考的頹靡氛圍。 主標將沉思者的「沉」改為「塵」表示擔憂的盡是一些凡俗 世界的小煩惱。
by 台灣 林士揚

炭象

本作品将炭火后粉末状的灰烬融入斑马纹和鹿纹的肌理之中,塑造出斑马皮毛和鹿的皮毛的纹理特征,其生灵涂炭的画面,使炭污染所带来的危害震撼人心。画面中充斥着碳灰的斑马纹、鹿皮纹与设计的时钟汉字巧妙结合,以及冰冷的黑白灰色调与层次丰富的灰烬肌理,使该作品充满警醒之意,引人深思。
by 中國大陸 陈爽爽

Chernobyl 30

纪念切尔诺贝利30周年纪念日。
by 中國大陸 邢廷伟

water shortage (1)

成为无源之水对人类一滴眼泪 为了显示严重的水危机
by 伊朗 Ahmad

Soft War

成为一个对话框,剑  要隐藏软战争
by 伊朗 Ahmad

live together

I made the characteristics of nature and the person's symbiosis a theme. This work was expressed as that was Moebius's circle. The meaning to live together is considered.
by 日本 ikedahiromi

assistance is a “+"

Black and white hand represent the people of black and white, white hands support the frail hands of black, which means across racial discrimination, helping the weaker party brings more and better results is a "+" energy.This is an opportunity for the small and the weak, as well as for the peaceful development of the world.
by 中國大陸 文丽伟

《PROTECT THEMSELVES 》

海洋以鱼类作为主要生物,人类的捕杀使得鱼类越来越少,甚至有很多鱼类濒临灭绝。作品中的鱼发生了变异,鱼鳞变成金属质的铁定,鱼翅变成无数金属铁针,反映鱼类对现代人类捕杀的恐惧和自我保护,贴纸的身躯使得人类无法靠近,从而保护自己,希望通过这样的形式引发人类思考,并关注海洋生物,保护海洋生物。
by 中國大陸 周成宝

DRIVE FAST - DIE FAST

Nearly 1.3 million people die in road crashes each year, on average 3.287 deaths a day
by 馬其頓 Marijana Ivanova

network security

网络安全已经是目前人类面临的重要问题,但这方面的预防与诊治却过于疏松。作品以网络信号的标志为出发点,结合陷阱的视觉符号,进而将网络信号标志上面的三个曲线引申出人类呼喊的意思。
by 中國大陸 leifengyu

Syrian refugges

A magic carpet, also called a flying carpet (one of the stories in the One Thousand and One Nights) it is a legendary carpet that can be used to transport humans who are on it tinstantaneously or quickly to their destination. An Increasing number of Syrian refugees are fleeing across borders. It is estimated that more than four million refugees of the Syrian Civil War have left the country during the course of the war. This is not a fairy tale.
by 波蘭 Michal Tatarkiewicz

This is a murder

《This is a murder》设计说明:动物作为人类的朋友,是自然生态圈的重要组成部分,它们与人类一同构成了和谐的生态环境大家园。然而,随着人类对野生动物的大量捕杀、非法买卖以及对资源不加限制的开发利用,使得野生动物面临着越来越恶劣的生存环境:生存空间缩小,总数减少,甚至有些野生物种正处在濒危的边缘…… 《This is a murder》系列作品通过震撼的图形表达主题,用子弹眼堆积而成的动物图形之惨烈可见一斑,呼吁大家一同行动,让我们一同努力,担负起我们的社会责任,保护动物,保护我们的生态家园,还给生灵一个生存的权利!
by 中國大陸 姚松奇

拒绝皮草

皮草是指利用动物的皮毛所制成的服装,具有保暖的作用,狐狸、貂、貉子、獭兔和牛羊等毛皮兽动物,都是皮草原料的主要来源。除上述动物以外,有些大型猫科动物也是皮草的来源。普遍“美观”,价格高。当人类身上穿着那些用小动物们的皮毛制成的皮草大衣、装饰品或小毛边的时候,你可知道这样不但会造成它们极大的痛苦,更会夺走一条无辜的小生命。要制造皮草,唯一的原料来源就是杀死动物,而动物大多来自养殖场,这些为皮草而养殖的动物遭受无法想象的痛苦,它们在狭小阴暗的铁笼里度过一生,有一些甚至刚出生即遭到剥皮。没有买卖就没有杀害。作为消费者,我们要避免购买任何皮草衣物、饰品或任何使用皮草搭配设计的物品,可以通过查看原料成分标签等方式确认一件服饰有没有皮草原料。拒绝皮草,其实很简单。
by 中國大陸 姚松奇

facebook?

Information explosion era, a variety of media, mobile on the existence of false information, there are nasty remarks, we should believe that it is difficult to know that we should have a peaceful and honest network era.
by 中國大陸 魏锦

victory labor

It is a public service poster with the concept of importance and rights of labor. The right to victory in exploitation, and the right to triumph over poverty.
by 韓國 Byoung il Sun

Water for our future

It is a poster that warns of the serious water problem of the global village through a bird who wants to drink clean water trapped in a contaminated water bottle.
by 韓國 Byoung il Sun

interaction

If you act, you get freedom. It is a message that if you respond, you will make a good society. The fist below symbolizes the root of action, and the above fist symbolizes the practice of sprouting. Frames between crossed fists symbolize interaction and freedom and posters.
by 韓國 Byoung il Sun

《Haze is the devil》

该海报以“雾就是魔鬼”为主题。将防毒面具为元素进行海报设计,呼吁人们要保护环境,缓解雾霾的现象。
by 中國大陸 郑颖

Celebrate The Earth

Taking care of the infinitely small means taking care of the infinitely great. Originally assigned by the City of Paris and designed for the Fête du graphisme (Graphic design festival) in Paris, this poster is now available to public for non for profit use.
by 法國 Francois CASPAR

Drink?

我將尋常的飲料包裝形象,和實驗室中的燒杯等等容器形象結合在一起,實驗室的容器形象們代表了化學、非天然的人工添加物、香精等等,欲傳達出現代食品工業的一種荒謬感。
by 台灣 李智崴

Fight with the smog!

Coal use cause air pollution all around the world. Coal is used by big companies but also for individual citizens. Air pollution is responsible for death of thousands of people. The quality of life in the cities where is high amount of coal usage is really disappointing. People should stop using coal in their houses. This poster is trying to show the consequences of the coal usage and is trying to encourage people to change their habits – for better future.
by 波蘭 Bartosz Mamak

拒絕霧霾

畫面處在壹片塵灰色的環境氣氛之下,人的感官被迷層的霧霾所掩蓋,帶來壹種強大的窒息感,張口呼吸便是獲取生存的唯壹途徑。海報中所營造的世界反映了現實中人們的生活面臨的真實境況。
by 中國大陸 王濱

Extinction

Without serious intervention in a very short time, our planet will suffer irreparable harm, seriously eroding its ability to support life as we know it. It is time for all countries of the world to come together in order to face this very serious threat.
by 美國 Jason Frazier